In the last hundred years or so composers have used new combinations of notes and chords, which may at first sound strange to the listener. if chords outside the scale are widely used, the term is chromatic.white notes only within a C major framework), it is called diatonic if the chords used for a piece or section remain within the scale of the home key (e.g.You aural test training with your teacher should be helping you hear the difference between major and minor. The extract is likely to have a variety of major, minor and other chords (otherwise it would be very monotonous!), but the beginning and particularly the ending will usually tell you whether the overall key is major or minor. Often it will be enough simply to state whether the extract you hear is in a major or minor key. Harmony – for the purposes of these exams, just think of harmony as the types of chords used. We will concentrate mainly on keyboard music, as that is the instrument the piece will be played on in your exam.įirstly, let’s define some terminology, which should be also helpful for some of the other questions you will be asked about the same piece: As such, we will identify the main features of music from the relevant periods: Baroque, Classical, Romantic, Twentieth Century, with a separate section for Jazz. If you can identify your starting note, and then identify your intervals as you progress through a piece of music, you're in good shape.This guide is aimed to help students with the questions in the Associated Board aural tests grades 5-8 where the candidate has to comment on the style and period of the piece the examiner plays. In my opinion, the most valuable skill set is a combination of pitch recognition and interval recognition. Harmonic minor scale: do re me fa sol le ti do That's what we have solfege for (do, re, mi.) If you want to be able to identify a perfect 4th, sing the opening of "here comes the bride" ("do - fa" going up). Training relative pitch, the ability to identify intervals, is more valuable in my opinion. If an elevator in your office dings at a specific pitch, you could identify it and memorize it. Orchestras tune to the note A every day, so many recognize that pitch. Training absolute pitch, the ability to identify a pitch out of thin air, is a matter of just memorizing a pitch through repetition. It depends upon whether you'd like to train absolute pitch (pitch recognition) or relative pitch (interval recognition.) I would advocate the latter. I like playing along with old movies myself. The tv thing is something I picked up from some guys when I was coming up. Just sight singing and transcribing from records is how alot of players learned to do it. Transcribing from records is great stuff, too. Play along with the jingles on commercials, play along with the background music in a scene, play along with the theme music for the shows.TV provides random melodies a-plenty to ear up and play along with Playing along with the television is great stuff, too. Find simple melodies to sight sing or take bits of the pieces you are working with and sing them Sing the bass, sing the melody (you might need to sing and octave below depending on how high it goes). Take one of your guitar pieces and sing one of the inner voices. When I was in music school, ear training and sight singing were the same course.
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